Robot

But an exhibition marking the 700th anniversary of the Italian poet’s death will be showcasing the work of a rather more modern devotee: Ai-Da the robot, which will make history by becoming the first robot to publicly perform poetry written by its AI algorithms.

The ultra-realistic Ai-Da, who was devised in Oxford by Aidan Meller and named after computing pioneer Ada Lovelace, was given the whole of Dante’s epic three-part narrative poem, the Divine Comedy, to read, in JG Nichols’ English translation. She then used her algorithms, drawing on her data bank of words and speech pattern analysis, to produce her own reactive work to Dante’s. Alison Flood, The Guardian

e anche la lunga storia della fascinazione degli umani per le macchine intelligenti:

Robots have histories that extend far back into the past. Artificial servants, autonomous killing machines, surveillance systems, and sex robots all find expression from the human imagination in works and contexts beyond Ovid (43 BCE to 17 CE) and the story of Pygmalion in cultures across Eurasia and North Africa. This long history of our human-machine relationships also reminds us that our aspirations, fears, and fantasies about emergent technologies are not new, even as the circumstances in which they appear differ widely. Situating these objects, and the desires that create them, within deeper and broader contexts of time and space reveals continuities and divergences that, in turn, provide opportunities to critique and question contemporary ideas and desires about robots and artificial intelligence (AI). E.R. Truitt, The MIT Press

Books Do Furnish a Civilization

IN THEIR NEW BOOK, The Library: A Fragile History, a splendid study of the institution of the library from its origins until today, Andrew Pettegree and Arthur der Weduwen recount the initiation, the innovations, and the dissolution of library after library, personal as well as public, scholarly as well as lending, over the centuries. The word “fragile” in their subtitle touches on the unsettled conditions of libraries throughout history. For books have everywhere and at all times been lost, stolen, vandalized, spoiled by neglect, while entire libraries have been abandoned, systematically despoiled, set afire, even deliberately bombed. Joseph Epstein, Commentary

interessanti riflessioni sulle biblioteche, e anche sui classici, con qualche sorprendente scoperta, e altre considerazioni più à la page:

Historically, in America, the true strength of the Classics and of a Classical education has not been among the elite but among the rising middle class. Naomi Kanakia, LA Review of Books

 

University of Austin, una nuova università

Grade inflation. Spiraling costs. Corruption and racial discrimination in admissions. Junk content (“Grievance Studies”) published in risible journals. Above all, the erosion of academic freedom and the ascendancy of an illiberal “successor ideology” known to its critics as wokeism, which manifests itself as career-ending “cancelations” and speaker disinvitations, but less visibly generates a pervasive climate of anxiety and self-censorship. [...] That is why this week I am one of a group of people announcing the founding of a new university — indeed, a new kind of university: the University of Austin. [...] Trigger warnings. Safe spaces. Preferred pronouns. Checked privileges. Microaggressions. Antiracism. All these terms are routinely deployed on campuses throughout the English-speaking world as part of a sustained campaign to impose ideological conformity in the name of diversity. As a result, it often feels as if there is less free speech and free thought in the American university today than in almost any other institution in the U.S. Niall Ferguson, WP

Nel suo lungo e appassionato articolo Niall Ferguson spiega il programma di questa nuova università, un progetto che sembra molto interessante. Auguri!

Tatum O’Neal

Amazing as Tatum is in this performance, and iconic and penetrating as the film may be, the blockbuster slips into the same old car chase, between the same old cops and robbers. It’s all about stuntmen doing the fancy driving. And yet, Paper Moon has the face, neck, shoulders, hair, subtle morphing expressions, and very punchy attitude of Tatum O’Neal—and it has therefore held up beautifully. Later in life, Tatum would appear for a few seconds now and then on camera between points up in the stands watching her husband, John McEnroe, play tennis at Wimbledon, and she would leave the same sort of indelible impression—by virtue of her gaze and the mystery of her concentration. Jeremy Sigler, Tablet

Adorabile! L'articolo parla, però, soprattutto di Polly Platt, art director del film di Bogdanovich e anche sua ex moglie.

Inoltre:

Is Superman Circumcised? favourite to win Oddest book title of the year, Alison Flood, The Guardian

Why Cemeteries Matter

As Americans increasingly opt out of burial, cemeteries very well may become obsolete. It’s worth asking, then, especially at a time of year when graveyards loom large in our cultural imagination, what purpose do they serve? Aside from the practical need to dispose of corpses in a sanitary way, do they serve any higher good for the community? Rachel K. Alexander, Tablet

Amo molto passeggiare per i cimiteri, soprattutto quelli americani, o quelli monumentali. L'idea che stiano scomparendo mi turba molto.

Scompaiono anche le città? 

Can you hear the death rattle of the skyscraper? It’s the sound of the free candyfloss cart being wheeled past the rows of empty desks, and the lonely drip of the beer-keg tap by the water cooler. In a desperate attempt to lure employees back to their offices, companies are laying on all manner of novelty treats, from monogrammed water bottles to personalised notebooks. It is hoped that these perks might convince people to leave the house, get on packed trains and jostle for the lifts, all in the name of teamwork and productivity. Oliver Wainwright, The Guardian

The Chastity Plot

Austen’s novel [Pride and Prejudice] is a brilliantly ironic take on what Lisabeth During calls “the chastity plot.” The course of true love never does run smooth, at any rate not in the English social novel of the nineteenth century, in which misunderstandings, missed opportunities, and plain missteps ensure that it doesn’t all end too soon—that there is, in fact, a plot. For your longed-for love match to get fouled up by someone else’s indiscretion (with a third party) seems particularly harsh. It is, however, the inevitable consequence of a system in which women’s sexual virtue acts as a guarantee of the legitimacy of social reproduction. Clair Wills reviews, Lisabeth During, The Chastity Plot (University of Chicago Press). nybooks.

Can music give you an orgasm? The short answer is yes. A longer answer will unlock the secrets of the evolution of music. But let’s begin with orgasms. Sam Dresser, Aeon

Interessante, no?

Smells

If all our genius lies in our nostrils, as Nietzsche remarked, the nose is an untrained genius, brilliant but erratic. The human nose can detect a dizzying array of smells, with a theoretical upper limit of one trillion smells—yet many of us are incapable of describing these smells in words more precise than smelly and fragrant. Jude Stewart, The Believer

Un bell'articolo sugli odori, un altro su come si legge un libro (sono sempre stata incuriosita da come si legge!). 

The 20-page rule: Novelist Mark Billingham advises readers to angrily launch a book across the room after 20 non-gripping pages – but almost 40% of people will keep going right to the end, The Guardian

infine Hannah Arendt, sempre affascinante:

As her friend Mary McCarthy once said, Arendt was “a magnificent stage diva”.  Christopher Bray, The Critic

Dogopolis

Dog mess once had medicinal uses. In the eighteenth and nineteenth centuries, physicians used it as an astringent in the form of album Graecum (dried and whitened canine excrement).

It was hard for some observers to discuss the canine excrement that was now visible within the modern cityscape. In a letter to the Times of London, Bristol-based Dr. G. Knowles acknowledged the difficulty of discussing the foul matter: “I can only think that people have been comparatively silent regarding this disgusting nuisance out of a sense of delicacy.” Excerpt reprinted from Dogopolis: How Dogs and Humans Made Modern New York, London, and Paris by Chris Pearson, published by the University of Chicago Press. © 2021 by the University of Chicago Press. Lapham's Quarterly

Oltre alla cacca dei cani, questa settimana segnaliamo anche il cambiamento che sta avvenendo nelle autobiografie: 

Rather than prioritizing confession and catharsis, today’s authors are focusing on the question of who gets to share their version of things and interrogating the form, along with themselves.  Megan O’Grady, NYT

Performative

We have more than enough language policing these days, even though it is now devoted more to varieties of social and political correctness than to matters of grammar, diction, or usage. The most assiduous guardians of the latter considerations—including William Safire (of the famous “On Language” column in the New York Times) and Richard Mitchell (a.k.a. “The Underground Grammarian”)—have long gone the way of all flesh. But there are times when one sees senseless violence being done to a word, and one must speak up. The inner Edwin Newman (to invoke another member of that quixotic Old Guard) can be denied for only so long.

I’ve come to that point with the word performative, which has managed to insinuate itself in record time into the discourse of academics and journalists, seemingly overnight becoming an infestation as annoying as body lice and as worthless as a pile of wooden nickels. Wilfred M. McClay, The Hedgehog Review

e sempre su The Hedgehog Review, Richard Hughes Gibson: 

The historian Joe Moran begins his 2018 style guide, First You Write a Sentence, by outlining a comic routine unfortunately familiar to many of us:

First I write a sentence. I get a tickle of an idea for how the words might come together, like an angler feeling a tug on the rod’s line. Then I sound out the sentence in my head. Then I tap it on my keyboard, trying to recall its shape. Then I look at it and say it aloud, to see if it sings. Then I tweak, rejig, shave off a syllable, swap a word for a phrase or phrase for a word. Then I sit it next to other sentences to see how it behaves in company. And then I delete it all and start again. 

Ebooks Are an Abomination

Personalmente, ho adottato senza problemi, anzi con piacere, il kindle. Di seguito un interessante articolo sul perché c'è chi lo ama e chi o odia, e come questo ha a che fare con quel che significa per noi leggere.

Whether you love or hate ebooks is probably a function of what books mean to you, and why. [...] But what it means to read, what the experience of reading requires and entails, and what makes it pleasurable or not, is not so easy to pin down. Ian Bogost, The Atlantic

Trovare le parole giuste: From adoption to sexuality, early pregnancy to death, a palliative care doctor explores the discussions we often try to avoid. Joanna Cannon, Guardian