Nonfiction aside, hotels have long been compelling settings for dramas of all kinds: novels (Hotel du Lac, A Gentleman in Moscow), TV (The White Lotus, Fawlty Towers) and film (The Grand Budapest Hotel, Lost in Translation) make use, too.
Rassegna della stampa culturale americana e inglese. Segnalazioni di novità in libreria, articoli, interviste, dibattiti, idee e pettegolezzi.
24.5.26
In love with the hotel
8.3.26
International Booker Prize 2026 Longlist
17.8.25
The Magic of Translation
recensione a Fair: The Life-Art of Translation, Jen Calleja (Prototype)
anche: this year’s Booker prize longlist looks in new directions
29.9.24
The 2024 Booker prize shortlist
Shortlisted alongside them are American
writer Rachel Kushner with Creation Lake and Yael van der Wouden, the
first Dutch writer to be shortlisted and lone debut novelist to feature
with The Safekeep. Completing this year’s shortlist is Percival Everett
with James, his retelling of Huckleberry Finn from the perspective of
the enslaved Jim. The Guardian
19.11.23
Days of The Jackal
25.4.21
Is Facebook Buying Off The New York Times?
And Facebook and Google money is, admittedly, all over journalism already. Virtually every major media nonprofit receives direct or indirect funding from Silicon Valley, including this one. When the Monthly gets grants from do-good organizations like NewsMatch, some of the funds originate with Facebook. [...]
But these three points are beyond dispute. [...]
First, the deals are a serious breach of traditional ethics. [...]
Second, these deals help Facebook maintain the public appearance of legitimacy. [...]
Finally, these agreements undermine industry-wide efforts that would help the smaller, ethnic, and local news organizations that are most desperately in need of help. Dan Froomkin, Washington Monthly
Come altre volte, le notizie sul giornalismo le prendo dall'interessantissima newsletter del Post, Charlie.
Altre notizie della settimana:
The vital role of war, Linda Colley,The Gun, the Ship, and the Pen: Warfare, Constitutions and the Making of the Modern World (Profile), recensito da Miles Taylor, The Guardian
Sempre sul Guardian i finalisti del Booker Prize.
11.10.20
Un bel ritratto di Louise Glück
Her poems are controlled and highly charged, restrained but also exposed, unafraid of and perhaps also terrified by outcry. [...] The sounds in her poems emerge tentatively and then bravely, and sometimes fiercely, from within their rhythms. Glück knows what a tone needs when it seeks to be truthful. She has a knowledge, both baleful and enabling, of how little can be said that is true, and how much dark energy that is then released in the effort to speak. In her poems, tone itself is both held in and released. Her work is filled with voice, often hushed and whispering, as though she is exploring a difficult aftermath or the shape of the soul.
If there is one poem by her that gives us a sense of her great talent and the bravery of her voice, it is the opening poem in her collection The Wild Iris, which begins:
At the end of my suffering
there was a door.
Colm Tóibín, The Guardian
29.4.15
Kertzer wins Pulitzer
Pulitzer judges described Kertzer’s 2014 book as “an engrossing dual biography that uses recently opened Vatican archives to shed light on two men who exercised nearly absolute power over their realms.”
Kertzer expressed surprise at the win.
“I had no idea the Pulitizer Prizes were about to be announced nor any hint they were considering The Pope and Mussolini, so this is quite a shock. Like any author, I hope that the news leads many new readers to the book.” brown.









