Given that there can be few contemporary artists who have thought more about censorship – its goals, techniques, efficacy – than Ai, it’s inevitable this new book, which runs to fewer than 90 pages, will be read as his distilled wisdom on the topic. Censorship, he asserts, is no new phenomenon: during the Shang dynasty (1600-1046BC) a saying emerged – “the great affairs of the state are worship and military bases”.
But Ai’s main argument is that censorship is neither a uniquely Chinese phenomenon, nor something confined to “countries defined as autocratic and authoritarian”. In the west – “the so-called free world”, with its “ostensibly democratic societies” – free speech is a chimera, regulated through “more covert, more deceptive and more corrosive” means. Flexing his rhetoric, he describes censorship “as both an indispensable tool of mental enslavement and a fundamental source of political corruption”. Sukhdev Sandhu, The Guardian
On Censorship by Ai Weiwei is published by Thames & Hudson








