He is the son of immigrants who fought the Nazis and ultimately triumphed in every area of showbusiness. He is the American dream made flesh. Brooks might not live to be 2,000, but 100 years looked equally implausible when he served in the 78th Infantry division. When asked the secret to a long life after a screening of Blazing Saddles I attended in London years ago, this icon of American entertainment offered some sage advice he has evidently lived by: “Don’t die.” Darren Richman, The Guardian
Rassegna della stampa culturale americana e inglese. Segnalazioni di novità in libreria, articoli, interviste, dibattiti, idee e pettegolezzi.
Visualizzazione post con etichetta Fun. Mostra tutti i post
Visualizzazione post con etichetta Fun. Mostra tutti i post
5.7.26
Mel Brooks at 100
Mel Brooks’ story is that of the US and Jews and American Jewish comedy.
He was born on the kitchen table of a tenement in Brooklyn a century ago
in the same month Marilyn Monroe made her own entrance on the opposite
coast. The son of European immigrants, Brooks was brought up by his
mother after his father died when Melvin was just two years old. He was a
small, sickly child and the youngest of four brothers, perhaps an
explanation for an almost pathological desire for attention. In the words of his colleague Larry Gelbart:
“Mel thought when he got slapped in the ass by the doctor who delivered
him that was applause, and he has not stopped performing since.” [...]
16.9.13
I racconti hasidici di Woody Allen
Negli anni '70 Woody Allen scrisse per il New Yorker una serie di parodie dei racconti hasidici di Buber. Ora David Remnick le ripropone, e vale veramente la pena leggerle. "Buber has been criticized for romanticizing Hasidism, for failing to
confront what critics see as its obscurantism, but his service to the
literature is immense. Also, his scholarly work led to a sublime bit of
parody: Woody Allen’s re-telling and parody of those knotty, earthy,
enigmatic stories—“Hassidic Tales, With a Guide to Their Interpretation by the Noted Scholar”—was engaged with their zaniness and the deadpan tone of interpretation", new yorker.
4.12.12
Dogfight
Il 19 novembre Michiko Kakutani, critica letteraria del New York Times, ha pubblicato la sua recensione al libro di Calvin Trillin, Dogfight (Random House) - una divertente satira delle ultime elezioni americane in versi - anch'essa in versi. Eccone un assaggio:
This book lacks a certain je ne sais quoi
Some Trillin rhymes are unnecessarily blah.
Maybe the poet’s tired of pols and their game
And so fallen back on lines that are lame.
Still, a weary Trillin is better than none,
So this isn’t a book the reader should shun. nyt.
Some Trillin rhymes are unnecessarily blah.
Maybe the poet’s tired of pols and their game
And so fallen back on lines that are lame.
Still, a weary Trillin is better than none,
So this isn’t a book the reader should shun. nyt.
21.11.10
Dante a fumetti
"I, Dante, will tell you the story of my trip to the after world... but will I come back?" So begins Seymour Chwast's noirish graphic adaptation of what is perhaps the world's most famous tale of spiritual tourism, the Divine Comedy. The list of artists who have tried their hand at visually interpreting Dante's epic is both long and distinguished, but it would be safe to say that Chwast, a co-founder of Push Pin Studios and a longtime contributor to The New Yorker, may have had the most fun with the subject since Dante himself. newyorker.
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