The Jazz Singer

Il primo film sonoro – prodotto dalla stessa Warner e proiettato per la prima volta il 27 ottobre 1927 – fu Il cantante di jazz (The Jazz Singer) nel quale, oltre a varie canzoni, si udivano una frase rivolta al pubblico dal protagonista e un breve dialogo tra questi e la madre. Il protagonista, interpretato da Al Johnson, è un ragazzo ebreo che non vuole cantare in sinagoga, come hanno fatto tutti i maschi di famiglia prima di lui, perché ama il jazz. Nel film canta però Kol Nidre, in una versione molto commovente. A proposito del Kippur appena trascorso.

The Greatest Dictionary Collection in the World et al

Madeline Kripke’s first dictionary was a copy of Webster’s Collegiate that her parents gave her when she was a fifth grader in Omaha in the early 1950s. By the time of her death in 2020, at age 76, she had amassed a collection of dictionaries that occupied every flat surface of her two-bedroom Manhattan apartment—and overflowed into several warehouse spaces. Many believe that this chaotic, personal library is the world’s largest compendium of words and their usage. April White, Atlas Obscura

altro articolo interessante questa settimana:

In the first decade of the 20th century, it was both virtually impossible and virtually unheard of for a Jewish person, irrespective of their individual talents, to be hired for any job at a major American publishing company—even if they were Ivy League graduates, heirs to family fortunes, and had brilliant literary minds. They couldn’t get hired on the editorial staff of a widely circulated American magazine, or be granted a professorship in an English department at a prestigious university, either. But all that started to change in the decades after the 1910s, when Jews entered the industry en masse. In addition to founding many of the today’s largest publishing companies, Jews became so influential throughout the industry that by the 1960s American writers as different as Truman Capote, Jack Kerouac, Katherine Anne Porter, and Mario Puzo began to complain about a “Jewish literary mafia.” In short, a minority group went from almost complete exclusion to full literary enfranchisement in a matter of decades. Josh Lambert, Public Books

Jews of Discretion

Let me start with an expression I made up in Call Me by Your Name. It refers to Jews who live in an entirely gentile world and who, without concealing their Jewishness, are, nevertheless, reluctant to proclaim it. There is, or so they think, no real imperative to proclaim their religion; they may even live in a world where Christians and Jews are quite secular, may even intermarry, and have grown to tolerate each other. You are not ashamed or fearful to be Jewish but you know better than to stand out when it’s not exactly necessary to do so. You may not tell everyone you are Jewish; at best, you allow some to infer it. After at least 2,000 years of antisemitic persecution, your difference is something you learn instinctively not to say too much about. I called these Jews “Jews of discretion.” Not nervous, not even apprehensive—just discreet. Or to use another word, prudent. André Aciman, Tablet

dal discorso fatto dall'autore il 5 novembre scorso all'University of Virginia in occasione della Conference on Jewish Life in the Diaspora: Sephardic Lives

Una preghiera di Isaac Singer

The prayer below was composed by Polish-born Jewish-American author Isaac Bashevis Singer (ca. 1903-1991), whose published work includes numerous volumes of fiction, essays, memoir, and stories for children. It was handwritten on the back of a rent receipt made out to Singer by Riesner & Gottlieb, which shows he lived on 410 Central Park West, Apartment 12F, and that he paid $73.50 for March 1952. Tablet

Oh yes! The best books about sex. Kate Lister, The Guardian

The fall of the intellectual. Ross Douthat scans the landscape for novelists, filmmakers, intellectuals, and everywhere sees torpor and repetition, NS

Kertzer wins Pulitzer

David Kertzer, the Paul R. Dupee Jr. Professor of Social Science and professor of anthropology and Italian studies, and a 1969 graduate of Brown, has been awarded the 2015 Pulitzer Prize for biography-autobiography for his book The Pope and Mussolini: The Secret History of Pius XI and the Rise of Fascism in Europe.
Pulitzer judges described Kertzer’s 2014 book as “an engrossing dual biography that uses recently opened Vatican archives to shed light on two men who exercised nearly absolute power over their realms.”
Kertzer expressed surprise at the win.
“I had no idea the Pulitizer Prizes were about to be announced nor any hint they were considering The Pope and Mussolini, so this is quite a shock. Like any author, I hope that the news leads many new readers to the book.” brown.

The Novel as Protestant Art

Un saggio interessante, ma non riconosce il ruolo fondamentale avuto dalla cultura ebraica - dall'abitudine di cercare risposte alle grandi domande attraverso storie. 
"So, here's a proposition: The novel was an art form—the art form—of the modern Protestant West, and as the main strength of established Protestant Christendom began to fail in Europe and the United States in recent decades, so did the cultural importance of the novel". Joseph Bottum, books&culture.

Yosef Hayim Yerushalmi

To those who studied with Yosef Hayim Yerushalmi, the great Jewish historian, the encounter was unforgettable. From his large and eternally smoke-filled office in Fayerweather Hall on the Columbia University campus, he turned the study of Jewish history into the most exciting, sophisticated, and cosmopolitan undertaking imaginable. Now, four years after his death in 2009, Yerushalmi is the subject of two recent books that explore his life and work: The first is a series of interviews conducted with Yerushalmi by the French Jewish scholar Sylvie Anne Goldberg and published in 2012 as Transmettre l’histoire juive (Albin Michel, 2012). With skill, patience, and sensitivity, Goldberg prods Yerushalmi to reflect on his evolution from a child, of two immigrant parents, who spoke virtually no English at the age of 5 to the most eminent and eloquent of Jewish historians of his generation.
The second book, which I co-edited with Alexander Kaye, The Faith of Fallen Jews: Yosef Hayim Yerushalmi and the Writing of Jewish History (Brandeis, 2013) mixes lesser-known writings with some of his classic essays. What emerges out of this mix is a clear link in Yerushalmi’s oeuvre between historical inquiry and Jewish identity. David N. Myers su tablet.