In love with the hotel

The second winner of the Women’s prize for nonfiction will be unveiled next month. Alongside books of memoir, science and biography, this year’s shortlist features two titles in which hotels are the main character: The Finest Hotel in Kabul by Lyse Doucet and Hotel Exile by Jane Rogoyska.

Nonfiction aside, hotels have long been compelling settings for dramas of all kinds: novels (Hotel du Lac, A Gentleman in Moscow), TV (The White Lotus, Fawlty Towers) and film (The Grand Budapest Hotel, Lost in Translation) make use, too.