the 50 biggest books of autumn 2021

From new novels by Sally Rooney and Colson Whitehead to Michel Barnier’s take on Brexit, Bernardine Evaristo’s manifesto and diaries from David Sedaris – all the releases to look out for. Justine Jordan and Katy Guest, The Guardian

e anche: perché sempre più autori pubblicano su Substack:

 The subscription newsletter platform Substack announced on Wednesday it had signed an exclusive deal with Salman Rushdie – but he is just the latest in a growing number of authors making the leap to write serialised fiction delivered straight to the inboxes of subscribers who pay a monthly fee. [...] For Rushdie, the Substack deal is about finding “a slightly more complex connection” with readers, and to give him the space to talk about things that “are just too big to discuss in tweets … I think that new technology always makes possible new art forms, and I think literature has not found its new form in this digital age,” he told the Guardian earlier this week. “I’m just diving in here and que sera sera, you know. It will either turn out to be something wonderful and enjoyable, or it won’t.” David Barnett, The Guardian

Fran Lebowitz

One of the leitmotifs in Martin Scosese’s second and most recent documentary about her, Pretend It’s a City, are the shots of a solitary Lebowitz strolling around New York in her distinctive uniform of a long overcoat, Levi’s 501s and loafers, observing everything and detached from it all. So doesn’t she resent that her aversion to technology now makes her so dependent on others? “No, I just think, isn’t it lucky I have friends who have these things and can do them for me?” she says, with the smile of one who has arranged her life exactly as she wants it to be. Hadley Freeman, The Guardian

e anche:

David Grossman’s follow-up to the International Booker-winning A Horse Walks Into a Bar is a Russian doll of a novel, a book of secrets wrapped within secrets. It’s told by Gili, a film-maker, a damaged young woman who has already tried to end her life once. In a narrative that is teasingly digressive, threading back and forward between different time periods, between first- and third-person voices, we slowly learn the tragic story of Gili and her family, the way the brutal legacy of the 20th-century’s violence has written itself into the lives of these decent, wounded people. Alex Preston, The Guardian

 

Octavian Report: Why should we read the Odyssey?

Daniel Mendelsohn: There's a reason the classics are classics — and it's not because they have better agents than books that aren't classics. The classics are classics because they pose in a way that is lively and narratively interesting and challenging the most basic questions about human experience. The Greek and Roman classics are the foundation for our way of seeing the world. And therefore we read them because they tell us something true about life. In the case of the Odyssey, aside from everything else it is, it's one of the great family dramas. It's about homecoming, it's about the meaning of home, it's about how you know and how you prove your intimacy with members of your family. It's about the bonds that connect family members over many years despite time and distance. 

Dalla bellissima intervista a Daniel Mendelsohn sul perché leggere i classici, substack

 Inoltre ...

The word ‘hoax’ did not catch on till the early 19th century. Before that one spoke of a hum, a frump, a prat or a bilk. But 18th-century Britain, even if not rife with talk of ‘hoaxes’, was full of incautious souls at risk of being bilked. Ian Keable, The Century of Deception: The Birth of the Hoax in Eighteenth-Century England (Westbourne Press). Henry Hitchings, The Spectator

The Sex Lives of African Women

The Sex Lives of African Women, is an anthology of confessional accounts from across the African continent and the diaspora. The stories are sorted into three sections: self-discovery, freedom and healing. Each “sex life” is told in the subject’s own words. The result is a book that takes the reader into the beds of polygamous marriages in Senegal, to furtive lesbian hookups in toilets in Cairo and polyamorous clubs in the United States, but without any sensationalism or essentialism. Nesrine Malik, The Guardian

In “The Joy of Sweat,” (Norton) an entertaining and illuminating guide to the necessity and virtues of perspiration, the science journalist Sarah Everts points out that plenty of people pay good money to exude sweat while also paying good money to hide it. Jennifer Szalai, NYT

E con questi curiosi titoli vi auguro una buona estate. Ritornerò alla fine di agosto, inizio di settembre. 

Lab Leaks

What happens when an academic idea escapes into the wild? "The idea of a lab leak has gone, well, viral. As a political scientist, I cannot assess whether the evidence shows that COVID-19 emerged naturally or from laboratory procedures (although many experts strenuously disagree). Yet as a political scientist, I do think that my discipline can learn something from thinking seriously about our own “lab leaks” and the damage they could cause". Paul Musgrave, FP

Un lungo articolo sulle newsletters, un nuovo genere che pare sia in crescita. "The newsletter is the ultimate form for a moment in which writers feel pressure to produce a steady stream of advertisements for themselves". Molly Fischer, The Cut

Highly Irregular

Il titolo si riferisce a un divertente libro sulle stranezze della lingua inglese, Highly Irregular, di Arika Okrent (Oxford University Press). "Ms. Okrent investigates more or less familiar questions: Is the letter “y” a vowel or a consonant? What does it mean to say that the exception “proves” the rule? Why does English have so many synonyms? She also ponders whether “I am woe” would be better than “woe is me”; what egging someone on has to do with eggs; and why we don’t tell a restaurant server, “I’m a large spender. Make it a big pizza.” Henry Hitchings, WSJ

 

Project Cassandra: Three years ago, a small group of academics at a German university launched an unprecedented collaboration with the military – using novels to try to pinpoint the world’s next conflicts. [...]

The name of the initiative was Project Cassandra: for the next two years, university researchers would use their expertise to help the German defence ministry predict the future.

The academics weren’t AI specialists, or scientists, or political analysts. Instead, the people the colonels had sought out in a stuffy top-floor room were a small team of literary scholars led by Jürgen Wertheimer, a professor of comparative literature with wild curls and a penchant for black roll-necks. Philip Oltermann, The Guardian

Sandro Veronesi, lavorare a Venezia e la storia dell'asterisco

Recensione entusiastica di The Hummingbird (Weidenfeld & Nicolson, tradotto da Elena Pala) del nostro Sandro Veronesi, "Everything that makes the novel worthwhile and engaging is here: warmth, wit, intelligence, love, death, high seriousness, low comedy, philosophy, subtle personal relationships and the complex interior life of human beings". Edward Docx, The Guardian

Sconfortante analisi del mercato del lavoro a Venezia, "Among the lousy job options for Venetians: serving pizza, selling fake local “artifacts,” and working at the Venice Biennal", Giulio Piovesan, Hyperallergic

Molto interessante questa recente storia dell'asterisco (Claire Cock-Starkey, Hyphens & Hashtags*: *The Stories Behind the Symbols on Our Keyboard, Bodleian Library Publishing), che lo fa risalire ad Aristarco di Samotracia, "Sumerian pictographic writing includes a sign for “star” that looks like a modern asterisk. These early writings from five thousand years ago are the first known depiction of an asterisk; however, it seems unlikely that these pictograms are the forerunner of the symbol we use today. Palaeographers know that Aristarchus of Samothrace (220–143 bc) used an asterisk symbol when editing Homer in the second century bc, because later scholars wrote about him doing so. Physical examples of Aristarchus’ asterisks have not survived, so we cannot know their physical shape, but as the word asterisk derives from the Greek asteriskos, meaning “little star,” an assumption has been made that they resembled a small star. Aristarchus used the symbols to mark places in Homer’s text that he was copying where he thought passages were from another source".  Claire Cock-Starkey, Lapham's

Biblioteche

From the British Library to the Brontë Parsonage Museum, a consortium of libraries and museums have come together in an “unprecedented” effort to raise £15m and save an “astonishingly important” set of literary manuscripts for the nation.

The plans were formed after the announcement last month that the “lost” Honresfield library was to be put up for auction at Sotheby’s this summer. Almost entirely inaccessible since 1939, the library was put together by Victorian industrialists William and Alfred Law at the turn of the 20th century, and is a literary treasure trove that had experts dancing with excitement – and warning that action needed to be taken to prevent it being sold piecemeal to private collectors. Alison Flood, The Guardian

Il controverso caso di Amy Chua, la Tiger Mother, docente di legge a Yale e ora accusata di party scatenati durante il Covid. "The question has arisen, in online comments sections and on Twitter, why anyone is even talking about Amy Chua. Who cares about a parenting memoirist’s removal from a law-school teaching roster? The answer is, in part, because this story manages to touch on seemingly every single cultural flashpoint of the past few years. Chua’s critics see a story about #MeToo—because of her husband, but also because Chua supported the nomination of Brett Kavanaugh to the Supreme Court, even after he was accused of sexual assault. Meanwhile, Chua’s defenders see a morality tale about liberal cancel culture. “What they’ve done to you is SOP”—standard operating procedure—“for conservative allies but chills me to the bone nonetheless,” a supporter tweeted at her, earlier this month. Megyn Kelly weighed in, tweeting, “Make no mistake: this is retribution for her support of Brett Kavanaugh, & it is disgusting.” Chua’s allies have also suggested that anti-Asian bias is involved. “The woke academy reserves a special vitriol for minority faculty who don’t toe the line politically,” Niall Ferguson, a historian, tweeted". Lizzie Widdicombe, The New Yorker

Omero e Nerone sul New Yorker

Il nuovo numero del New Yorker si occupa di Nerone, che forse non era poi così terribile, "Nero, who was enthroned in Rome in 54 A.D., at the age of sixteen, and went on to rule for nearly a decade and a half, developed a reputation for tyranny, murderous cruelty, and decadence that has survived for nearly two thousand years.[...] All of this, according to some recent scholars, is at best an exaggeration and at worst a fabrication: a narrative derived from biased histories, written decades after Nero died, that relied on dubious sources". Rebecca Mead, New Yorker

E si occupa di Omero, che forse non è mai esistito, "We may not know when Homer was born, but we can say for certain that he ceased to exist in the early nineteen-thirties, when a young Harvard professor named Milman Parry published two papers, in the journal Harvard Studies in Classical Philology, with the seemingly innocuous title “Studies in the Epic Technique of Oral Verse-Making.” Parry’s thesis was simple but momentous: “It is my own view, as those who have read my studies on Homeric style know, that the nature of Homeric poetry can be grasped only when one has seen that it is composed in a diction which is oral, and so formulaic, and so traditional.” In other words, the Iliad and the Odyssey weren’t written by Homer, because they weren’t written at all". Adam Kirsch, New Yorker

E ancora: What happened to Jan Kerouac, Jack’s forgotten daughter, David Barnett, The Guardian

 

New York’s Hyphenated History

In Pardis Mahdavi’s new book Hyphen, she explores the way hyphenation became not only a copyediting quirk but a complex issue of identity, assimilation, and xenophobia amid anti-immigration movements at the turn of the twentieth century. In the excerpt below, Mahdavi gives the little-known history of New York’s hyphenation debate.

“This thing—this hyphen—is like a gremlin which sneaks around in the dark … you should call a special meeting of City Council immediately and have a surgical operation on it! We won’t be hyphenated by anyone!” Pardis Mahdavi, The Paris Review

Sempre molto interessanti le discussioni sulla punteggiatura! 

Anche questa settimana: Blades, poisons, guns, bombs, defenestration, and plump cushions: Et Tu, Brute? Day of the Assassins: A History of Political Murder, Michael Burleigh (Picador), Jonathan Meades, Literary Review

Ancora sulla cancel culture: "Publishers today are teetering on a tightrope. Which voices should they amplify with a publishing deal – those their staff agree with, or those with an audience who agree with them? How far does an author have to go before their views are deemed unpublishable? What about when the personal views of an author, say JK Rowling, are condemned and staff object to working on her next children’s book? Where to draw the line?" Alison Flood, The Guardian