Few British writers are as adept as Deborah Levy
at enacting Hilary Mantel’s advice to writers: to make the reader “feel
acknowledged, and yet estranged”. Levy’s approachable but oblique
novels look like realism, but come riddled with psychological trapdoors
and unstable narratives, while her trilogy of memoirs takes the reader
in hand more directly. Her new book – a collection of 34 essays, stories
and short texts too unclassifiable to be labelled – combines the best
of both approaches. John Self, The Guardian
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