Rassegna della stampa culturale americana e inglese. Segnalazioni di novità in libreria, articoli, interviste, dibattiti, idee e pettegolezzi.
8.5.22
Old Bookstores
1.5.22
How to Be an Incipit
For a long time, the first sentence went to bed early, waiting discreetly under the cover of the book for someone to come and wake it up. Novel opened, first sentence awakened, it stood firmly in the front row to welcome readers with the heavy responsibility of taking them into a new world.
Then the first sentence had a craving for freedom. It took a liking to running away, proclaiming its autonomy, breaking its ties with the book that birthed it. Paul Vacca, berfrois
in effetti, che responsabilità, essere la prima frase!
E le finaliste al Women’s prize for fiction:
Six countries are represented on this year’s Women’s prize for fiction shortlist, with Meg Mason and Elif Shafak
among those in the running for the £30,000 prize. The New Zealander and
the Turkish-British author are up against two Americans, one
American-Canadian and a Trinidadian debut novelist. Lucy Knight, The Guardian
24.4.22
What will we be reading next year?
Five biggest trends from the London book fair. [...]
1. Celebrity-authored fiction is on the up
2. Books about Ukraine are in demand
3. Greek myths rumble on
4. Women’s stories are getting darker
5. Self-help books are taking on new relevance. Sarah Shaffi, The Guardian
e anche:
Top 10 books about gardening
Going beyond how-to guides, these books encompass fiction, history,
poetry and ecology to show how gardens can be places of liberation as
well as beauty. Lulah Ellender, The Guardian
17.4.22
Seek and Hide
un articolo molto interessante. Forse non adatto a Pasqua, auguri a tutti, comunque!
10.4.22
What Comes After Meritocracy?
The system of educational selection based on standardized testing to identify the intellectually talented is now under withering attack, and it is in the process of failing. The projects to replace it with more representative systems are appealing but ultimately inadequate for addressing the range of problems the country faces. Fortunately, it is possible to identify an approach that is adequate to our condition. That approach focuses on selection in line with the civic ideals elite colleges already profess but do not fully engage. Steven Brint, Chronicle of Higher Education
un articolo interessante sul declino della meritocrazia e su quali criteri affidare la selezione degli studenti.
Inoltre, i piaceri dei romanzoni...
The unique pleasures delivered in long books are unforgettable enough that every reader will likely have his own catalog, and some instances are quite famous. One pleasure arises when a forgotten minor character returns unexpectedly to divert the plot, years after his role seemed at an end. (It happens memorably in different volumes of Balzac’s The Human Comedy, as in The Black Sheep, when the belligerent brother, Philippe, returns to foil the new bully menacing our hero.)
Another occurs when a protagonist absorbs an antagonist’s understanding of an event long after its reality seemed fixed, revising our conception of what has transpired. Mark Greif, The Atlantic
3.4.22
Balene
Cunningham adroitly sidesteps much of the male-dominated narratives
about whales and whaling, and clearly takes inspiration more from Inuit
mythology than from Herman Melville. She and her son make for an
unconventionally heroic pair, travelling by
plane, train, bus and boat,
and incurring disapproving looks and small humiliations in their quest
to spot grey whales. Initially it seems that nothing fits, including
lifejackets, and at times the landscape seems irredeemably hostile (even
cacti appear to give them the finger). Whale mothers and their calves,
meanwhile, surface and dive alongside the pair, and Cunningham movingly
describes their bonds of cooperation, which find pointed echoes and
contrasts in her travelling companions and personal relationships. Her
sensuous descriptions of grey whales and humpbacks provide some of the
book’s richest passages; she looks at the whales and then looks at her
son, looking at whales, which look back. Edward Posnett, The Guardian
27.3.22
Spie e dintorni
sempre sul Smithsonian Magazine, un altro articolo interessante su una normalissima coppia del New Mexico che rubò un De Kooning per metterselo in soggiorno.
She was a retired speech pathologist, and he was a retired music teacher. For all intents and purposes, Rita and Jerry Alter were a totally normal couple living in the New Mexico suburbs—except for one thing. They had a stolen Willem de Kooning painting worth $160 million hanging behind their bedroom door.
The couple’s purported double lives as high-stakes art thieves has made headlines ever since their prized painting was identified as a missing de Kooning in 2017. Jane Recker, Smithsonian Magazine
infine, per chi ama John Le Carré, come me, è in arrivo il suo epistolario:
A collection of letters by the late novelist John le Carré
is to be published later this year. A Private Spy: The Letters of John
le Carré 1945-2020 spans almost eight decades, from the author’s
childhood in wartime Britain to just days before his death in 2020. It
contains letters to le Carré’s family and friends as well as to
high-profile fans such as Hugh Laurie, Ralph Fiennes, Stephen Fry, Alec
Guinness and Tom Stoppard. Lucy Knight, The Guardian
20.3.22
Il triste declino delle discipline umanistiche
But numerous cancellations have not been reversed. Gary Saul Morson, First Things
io credo che continuare a studiare la letteratura russa, così come tutte le letterature, sia un modo di combattere i dispotismi. E' questo che dico ai miei studenti. Dobbiamo rivendicare il ruolo fondamentale delle materie umanistiche nella formazione di cittadini pensanti e pacifici. Invece le cose stanno andando diversamente, purtroppo, come si vede da questo articolo:
Hiring in the humanities last peaked in 2007-2008, when the MLA’s jobs
report recorded 3,506 openings across English and other languages. By
2019-2020, that number had fallen to 1,411. Jacob Brogan, The Washington Post Magazine
13.3.22
Books Against Bombs
tristissimo.... ma poetico. Ho sempre amato molto poco il turismo e quindi ho letto con interesse questo articolo intitolato "The Big Idea: Is Tourismo Bad for Us?"
If Covid’s impact ameliorates as hoped, it will be replaced by a new virus – wanderlust. Millennials, according to one survey, would rather travel than have sex – and not only because they’re probably doing the latter wrong. [...] But the value of tourism, like sex, depends on how you do it. Cruise ships generate 21,000 gallons of sewage per day per vessel, much of it ending up in the sea. In 2019, transport-related emissions from tourism were responsible for 5% of human-made global carbon dioxide emissions, according to UNWTO. Stuart Jeffries, The Guardian
6.3.22
Elizabeth Strout e Elena Ferrante
Dear Elena Ferrante,
Thank you for all of your work. I am a huge fan, and I have read all your books, and by reading them I was able to take new risks with my own work. So thank you for that as well.
Dear Elizabeth,
Thank you for your kind words about In the Margins. I really loved your novels Amy and Isabelle, The Burgess Boys, and naturally the amazing Olive Kitteridge.
But, I must tell you, I value your opinion of In the Margins especially because of your novel My Name Is Lucy Barton, or, to be precise, because of the fleeting but memorable relationship between Lucy and the writer Sarah Payne. The Guardian
interessante scambio epistolare tra due grandi scrittrici, Elena Ferrante ed Elizabeth Strout.
Inoltre: Yiyun Li, scrittrice dall'inconsueto cv (è immunologa as well), discute del neologismo, da lei creato, "beforemath", parlando dello scrittore Jon McGregor.
Yiyun Li: I love reading dictionaries, getting to know words beyond their everyday usage: etymologies, definitions that have gone obsolete, meanings that have been added over the years.
Last year, as I was rereading McGregor’s entire body of work, I looked up aftermath and was surprised to find that it’s derived from aftermowth,
which refers to the second crop of grass that grows after the first has
been mown or harvested. Instantly my interest was piqued, as we don’t
tend to talk about beforemath—we
don’t even have it as a word. As I thought through how McGregor
approaches dramatic and tragic events in fiction, it became clear to me
that some of his books focus on the beforemath, and others approach
aftermath at a slanted angle. The New York Review






