Il nuovo libro di James Wood - The Nearest Thing to Life (Jonathan Cape) - è quasi un'autobiografia: "Wood’s new book is as much autobiographical as critical: why should
there be a difference, because the books whose vital “lifeness” he
extols saved his own life when he was growing up as a minister’s son in
Durham? The atmosphere at home was strict, high-minded, earnestly
evangelical. “I was escaping from things,” Wood said, “hiding from
things, but also discovering things that might be prohibited. Though my
parents didn’t run a despotic regime, novels gave me a freedom to think
and to be that was not found within the gospels.” Peter Conrad, guardian.
Rassegna della stampa culturale americana e inglese. Segnalazioni di novità in libreria, articoli, interviste, dibattiti, idee e pettegolezzi.
10.4.15
8.4.15
Invisibility
Invisible: The
Dangerous Allure of the Unseen (Chicago), by the British science writer
Philip Ball. A former editor of Nature and the author of
nineteen previous books (he should write about that superpower), Ball
leads us on a very fun, largely chronological journey through
invisibility, beginning with myth and early magicians, ending with
quantum physics, and stopping along the way at Newton, Leibniz,
microscopy, photography, spiritualism, B movies, and science fiction. He
is lucid and interesting on every topic he touches, from the ghost in
“Hamlet” to those unseen extra dimensions posited by string theory. But
he is more a tour guide than a theorist, and he never entirely succeeds
at pulling the category together, or illuminating our own ambivalent
relationship to the prospect of becoming invisible. Kathryn Schulz, newyorker.
6.4.15
Skyscrapers
Will Self on the meaning of skyscraper. "When it comes to skyscrapers I am, in the proper sense of the word, ambivalent: I hate them for all the obvious reasons ... Yet I also love them – truly, I do. I love their Promethean swagger; I
love their ability to transform our perception of the city by proposing a
new parallax around which we instantly reorient as we tunnel along at
ground level. And I love the way that they are seemingly purpose-built
to accompany what Marshall McLuhan described as the “instantaneous
medium” of electricity". theguardian.
3.4.15
Arendt sul pensare
"Education provides us with a protected space within which to think
against the grain of received opinion: a space to question and
challenge, to imagine the world from different standpoints and
perspectives, to reflect upon ourselves in relation to others and, in so
doing, to understand what it means to “assume responsibility”. She had
observed at first hand how such opinion can solidify into ideology. For
her, thinking was diametrically opposed to ideology: ideology demands
assent, is founded on certainty, and determines our behaviours within
fixed horizons of expectation; thinking, on the other hand, requires
dissent, dwells in uncertainty and expands our horizons by acknowledging
our agency. It is the task of education – and therefore of the
university – to ensure that a space for such thinking remains open and
accessible.
But the university can fulfil that task only if the space it provides remains uncluttered by what Arendt saw as barriers to thought". Da un bell'articolo su Hannah Arendt di Jon Nixon, timeshighereducation.
But the university can fulfil that task only if the space it provides remains uncluttered by what Arendt saw as barriers to thought". Da un bell'articolo su Hannah Arendt di Jon Nixon, timeshighereducation.
1.4.15
Libri d'arte gratis
Dal sito del Metropolitan Museum si possono scaricare più di 400 libri d'arte gratuitamente. Come:
The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry
Husband, Timothy Bates, with an essay by Margaret Lawson (2008)
This title is out of print.
30.3.15
Una nuova biografia di Saul Bellow
This spring, on the centennial of his birth and the tenth anniversary
of his death, Bellow will burst from posthumous detention. ... But the
main event will be Zachary Leader’s biography The Life of Saul Bellow: To Fame and Fortune [Knopf], coming
out in May, which portrays Bellow up to 1964. Orchestrated by Bellow’s
literary executor, literary superagent Andrew Wylie (who replaced
Wasserman), this massive life by Leader, also Wylie’s client, is
transparently meant as a corrective to the authorized biography
published by Atlas in 2000, which presented Bellow as a racist and a
woman-hater, among other things, and accelerated Bellow’s fall from
literary grace. Lee Siegel, volture.
27.3.15
8 libri da leggere a marzo
The Buried Giant, Kazuo Ishiguro (Knopf)
The Sellout, Paul Beatty (FSG)
A Little Life, Hanya Yanagihara (Doubleday)
Dead Wake: The Last Crossing of the Lusitania, Erik Larson (Crown)
Crow Fair, by Thomas McGuane (Knopf)
Hausfrau, Jill Alexander Essbaum (Random House)
So You’ve Been Publicly Shamed, Jon Ronson (Riverhead)
Ordinary Light, Tracy K. Smith (Knopf)
Consigliati da Boris Kachka, voluture.
25.3.15
Il mistero delle mappe medioevali
Come facevano a essere così accurate? Un cartografo cerca nella matematica un metodo per spiegarlo. "That first portolan mapmaker also created an enormous
puzzle for historians to come, because he left behind few hints of his
method: no rough drafts, no sketches, no descriptions of his work. “Even
with all the information he had — every sailor’s notebook, every
description in every journal — I wouldn’t know how to make the map he
made,” says John Hessler, a specialist in modern cartography at the
Library of Congress.
But Hessler has approached the question using a tool that
is foreign to most historians: mathematics. By systematically analyzing
the discrepancies between the portolan charts and modern ones, Hessler
has begun to trace the mapmaker’s tracks within the maps themselves". Julie Rehmeyer, discovermagazine.
23.3.15
Sarah Braunstein
Sarah Braunstein è l'autrice del racconto della scorsa settimana sul New Yorker, "All You Have to Do". Dall'intervista di Willing Davidson:
In “All You Have to Do,”
your story in this week’s issue, Sid Baumwell is a sixteen-year-old in a
small town, who, as he puts it, needs “a grievance.” Why is Sid so
perplexed by, and worried about, his own mildness?
I
think Sid’s desire to leave this town, to grow up, is quite strong—and
yet it’s not matched by his day-to-day affect. Isn’t this the scariest
thing for a teen-ager, that brand of cognitive dissonance? A desire to
run that’s matched only by a desire to be comfortable? He loves his mom.
His mom loves him. How does one grow up, and manage the violence
implicit in the act of growing, in the face of such steadiness and
equilibrium? It may seem to Sid (and, sometimes, to me) that it’s only
hysteria—in the form of grievance, or longing, or pain, or
trangression—that motivates one, finally, to change. And by change I
mean simply to move beyond the town, to become someone new. To grow up. newyorker.20.3.15
Consigli a un aspirante scrittore
"When I had just finished my schooling and was looking for a job, a friend
put me in touch with an absurdly well-connected British biographer who,
she assured me, would help me find the professional position of my
dreams. I wrote and asked him whether we might meet, explaining that I
would appreciate his advice on securing literary work and enclosing some
of my early efforts. He duly invited me for tea. The advice I had in
mind sounded like this: “You must call so-and-so at this number and say I
suggested it and he will publish you and give you loads of money.”
After giving me a cup of weak tea—no sandwiches, no pastry, not even
sugar or milk—he said, “I have only one piece of advice for you. Have a
vision and cleave to it.” We then discussed the weather for twenty
minutes". Andrew Solomon, newyorker.
Se continuate a leggere, troverete anche altri saggi consigli.
Se continuate a leggere, troverete anche altri saggi consigli.
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