
Si tratta del
violoncello - un
Matteo Goffriller - di
Matt Haimovitz. La potete leggere sul
New Yorker di questa settimana, nella sezione "The Talk of the Town". Ovviamente si svolge a New York.
"He [Haimovitz] had played it for thirty years, until, fifteen months earlier,
while giving a lesson to a promising Canadian student, he dropped it,
and the cello’s neck snapped. Since then, the instrument had been
undergoing extensive repairs by a team of five luthiers at Reed Yeboah
Fine Violins, near Columbus Circle. Now the shop had called to say that
Matteo was ready for release.
The relationship between cellist and
cello is unusually tight. “It’s probably the instrument closest to the
human voice in range,” Haimovitz said. He described the necessity of
wrapping oneself
around the cello while playing. “You have to be good friends, intimate friends.”