To be buried here is a signal honor, and no one can deny Pound’s
influence on twentieth-century poetry. But this is a case in which the
very condition of the two gravestones indicates a moral and artistic
hierarchy. Pound, with his obsession with the strong man of action and
manly virtù, now
represents the authoritarian vision, lately manifested by Russia’s
Vladimir Putin, whose political and economic shadow continues its ascent
over Europe. Contrarily, Brodsky, the dissident Russian, concerned with
universalism and the personal life of the individual, represents a
Europe of sovereign, mutually respectful nations, and the rule of law
over arbitrary fiat. Here in this Venetian cemetery, two iconic forces
stand a few feet apart from each other. Here are the two paths that
Europe can tread. May it choose the right one. Robert D. Kaplan, New CriterionRobert D. Kaplan is the author of Adriatic: A Concert of Civilizations at the End of the Modern Age,
to be published in April by Random House. He holds the Robert
Strausz-Hupé Chair in Geopolitics at the Foreign Policy Research
Institute.
Mi sembrava doveroso, questa settimana, partecipare in qualche modo al dramma dell'invasione dell'Ucraina da parte della Russia. Ho scelto questo bell'articolo che contrappone due poeti sepolti accanto a Venezia, due visioni del mondo opposte.
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