I significativi disegni di Sylvia Plath

"I had removed my patent leather shoes after a while, for they foundered badly in the sand. It pleased me to think they would be perched there on a silver log pointing out to sea, like a sort of soul-compass after I was dead". Sylvia Plath, The Bell Jar. Alla Mayor Gallery di Londra, fino al 16 novembre, sono esposti i disegni di Sylvia Plath. telegraph.

Storie dei trentasei Giusti

Jonathon Keats, Il libro dell'ignoto. Storie dei trentasei Giusti (Giuntina). Traduzione di Silvia Pareschi. Ho appena finito di leggere questa raccolta di racconti straordinari che mi hanno fatto pensare e sovente mi hanno commosso. Si ricollega alla letteratura dello shtetl, ai quadri di Chagall, a quel mondo fantasioso, un po' ai margini, anche nel modo di pensare, ricco di un'umanità bizzarra che riesce però a cogliere un qualcosa, un piccolissimo frammento del mistero della vita, soprattutto nel mistero dell'amore tra un uomo e una donna. Splendida traduzione - come al solito - di Silvia Pareschi.

Miranda July and the PennySaver

Miranda July è divertente. Per tutta questa settimana il New Yorker pubblica dei brani del suo nuovo libro, It Chooses You, in uscita il 15 novembre da Sweeney's. Si tratta di interviste con persone casualmente contattate attraverso gli annunci di PennySaver, una sorta di Seconda mano. "I tell you all this so you can understand why I looked forward to Tuesdays. Tuesday was the day the PennySaver booklet was delivered. It came hidden among the coupons and other junk mail. I read it while I ate lunch, and then, because I was in no hurry to get back to not writing, I usually kept reading it straight through to the real estate ads in the back. I carefully considered each item - not as a buyer, but as a curious citizen of Los Angeles". newyorker.

A Jewish Writer in America

Bellow e la moglie Janis fotagrafati da Judith Aronson nel 1994

Lo scrittore ebreo in America è Saul Bellow, e questo è il titolo di una conferenza che ha tenuto nel 1998 e che viene ora pubblicata per la prima volta sul New York Review of Books. "So, in my first consciousness, I was, among other things, a Jew, the child of Jewish immigrants. At home our parents spoke Russian to each other, we children spoke Yiddish with them, and we spoke English with one another. At the age of four we began to read the Old Testament in Hebrew, we observed Jewish customs, some of them superstitions, and we recited prayers and blessings all day long. Because I had to memorize most of Genesis, my first consciousness was that of a cosmos, and in that cosmos I was a Jew. I suppose it would be proper to apply the word 'archaic' to such a representation of the world as I had - archaic, prehistoric. This was my 'given' and it would be idle to quarrel with it, to try to revise or efface it". nyrb.

"Occupy Wall Street" ha origini storiche

Back in the mid-17th century, when New York was still New Amsterdam and young settlers were nostalgic for a hip, authentic military citadel named Fort Amsterdam, fur traders occupied an area of southern Manhattan known as "de Waal Straat," or Wall Street.

A January 1, 1626, article published on the front page of Van Der Huffinjtön Pöst outlines the concerns of many fur-traders:

"Fur Traders Gather for Occupy De Waal Straat
By ASSOCIATED PRESS

Dozens of fur traders gathered in lower New Amsterdam today to protest the growing inequality between themselves and furriers. Johann Vries, a fur-trader who has worked for Bartholomeus Buskirk de Graaf's Discount Furrier since he was nine, said that he was angry about the unfair wages, disproportionately distributed wealth, and the torpor of New Amsterdam director general Peter Minuit. ..." vanityfair.

Julian Barnes vince il Man Booker Prize

Julian Barnes has been announced as the winner of the 2011 Man Booker Prize for his novella The Sense of an Ending.

Is Everyone Hanging Out Without Me?

E' il titolo dell'autobiografia, se così si può chiamare questa raccolta di vignette sulla sua vita, di Mindy Kaling, la simpatica attrice e scrittrice comica di The Office. Uscirà a giorni presso Crown Archetype. Il New Yorker intervista l'attrice:

You write in the book about some of your less positive experiences writing for “The Office.” Do you worry about what your co-writers will think?

Comedy writers have the most fragile egos. It's not that they're offended by what you say, but more that you omitted sparkling parts of their résumés. I'm used to showing everyone what I write, but this had to be more private, because, inevitably, they just wanted to see the stuff about them. newyorker.

Jill Abramson

At nine o’clock on the morning of September 6th, Jill Abramson was riding the subway uptown from her Tribeca loft. It was her first day as executive editor of the New York Times, and also the first time in the paper's hundred and sixty years that a woman's name would appear at the top of the masthead. Abramson described herself as "excited," because of the history she was about to make, and "a little nervous," because she knew that many in the newsroom feared her.

Abramson, who is fifty-seven, wore a white dress and a black cardigan with white flowers and red trim. Her usually pale complexion glowed from summer sun, but there were deep, dark lines under her eyes. ... e segue un interessante profilo della nuova direttrice del NYT e dei suoi piani di rinnovamento del giornale. Ken Auletta sul newyorker.

Starting from Happy

Starting from Happy (Scribner) è una storia d'amore - molto divertente - scritta a fumetti da Patricia Marx. Ecco quel che dice di sé e del libro l'autrice:

Starting from Happy is your first illustrated novel; your cartoons are speckled throughout its pages. Can you tell me about your process?

Oh, I am not good enough to have a process. I made a lot of mistakes, so I wasted about a rain forest of paper. I used computer paper and magic markers with thin points. My father sold stationery when I was growing up, so it kind of kills me that I have to pay for office supplies. 

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MetaMaus

Twenty-five years ago, Art Spiegelman's "Maus" was published, opening a window into the depth and seriousness that comics as a form could tell. A chronicle of World War II in which the Jews are mice and the Nazis are cats, Spiegelman and his father, a Holocaust survivor, both figure in the text. After the conclusion, "Maus II," came out five years later, Spiegelman was awarded a special Pulitzer Prize.

But that was not the end of "Maus," which has been repackaged as a box set and as a single book. Now ... is "MetaMaus," a stunning hardcover book from Spiegelman about the making of "Maus," which includes a multimedia DVD. LAT.