The books to look out for in 2024

 

 

 

 

David Shariatmadari and Justine Jordan, The Guardian

What distinguishes war from genocide?

What distinguishes war from genocide? When does state violence tip over from horrific yet legally sanctioned displays of military force into “the crime of all crimes,” according to both international law and the popular imagination?

This question has been much on Omer Bartov’s mind in recent months. A professor at Brown University and a leading historian of the Holocaust, the Israeli-born Bartov has devoted his scholarly career to studying acts of mass murder. Jacob Mikanowski, The Chronicle of Higher Education

buona fine 2023 e buon 2024!

Buon Natale!

One of our editors remarked that your cover looked like an advent calendar, and I thought, that’s what every cover should feel like, the anticipation of what’s going to be inside. How did you come up with the idea of staging a kitchen?

I found the assignment inspiring: nothing too sweet or seasonal, no Santa, nothing too predictable. Drawing scenes from the everyday fascinates me. The isometric perspective had to be there too, so I can put as much as possible into in an illustration. I love to look in every corner of a room and peek through an open door or window. My idea was to look behind the scenes: the preparing and cleaning of the home for guests. The other—annoying—side of the holidays. So I thought showing a kitchen with all the cooking and shopping and setting the table, all this going on at the same time as the owner has to answer the door to receive parcels from the postman, would best illustrate the “Holidays.” Sophia Martineck, illustratrice berlinese, intervistata da Leanne Shapton, The New York Review of Books

auguro a tutti un buon Natale in cucine allegre, calde, disordinate, rumorose e odorose!

Beware the sensitivity read

In addition to the aforementioned hick, hayseed, clodhopper, ridge runner, and towelhead, I was to omit, regardless of context, third world, homeless, white trash, whore, slut, slave, the Blacks, beaners and noble savages. Outlawed were Nazi, minstrel, blackface, homosexuals, boy, skinheads, dead animals, Rooskie, kike, spic, exotic and gumbo. Also Indians (cowboys and), dementia, shame, crazy, insane, ape, goddam moose, make love, fart, hell, goddam, screw up, asshole, along with some stronger expletives. Janet Burroway, Chronicle of Higher Education

la censura in America (ma non si può più veramente dire America) ai nostri giorni.

What Yale Has in Common With Hamas

Higher education, one of the last remaining industries in which the U.S. is still the unquestioned global leader, has proven particularly expert in shielding its favorite deep-pocketed investor from public scrutiny. In a new series of reports, a research consortium organized by the Institute for the Study of Global Antisemitism and Policy found that some $2.7 billion in Qatari funding made it to American colleges and universities between 2014 and 2019 without public acknowledgement from the institutions themselves. The universities only divulged these contributions, which also included some $1.2 billion from China and $1.06 billion from Saudi Arabia, through a Department of Education online portal set up in 2019 to track previously unreported foreign funding. Armin Rosen, Tablet

molto inquietante ... e spiegherebbe alcuni comportamenti altrettanto inquietanti

The Greatest Dictionary Collection in the World et al

Madeline Kripke’s first dictionary was a copy of Webster’s Collegiate that her parents gave her when she was a fifth grader in Omaha in the early 1950s. By the time of her death in 2020, at age 76, she had amassed a collection of dictionaries that occupied every flat surface of her two-bedroom Manhattan apartment—and overflowed into several warehouse spaces. Many believe that this chaotic, personal library is the world’s largest compendium of words and their usage. April White, Atlas Obscura

altro articolo interessante questa settimana:

In the first decade of the 20th century, it was both virtually impossible and virtually unheard of for a Jewish person, irrespective of their individual talents, to be hired for any job at a major American publishing company—even if they were Ivy League graduates, heirs to family fortunes, and had brilliant literary minds. They couldn’t get hired on the editorial staff of a widely circulated American magazine, or be granted a professorship in an English department at a prestigious university, either. But all that started to change in the decades after the 1910s, when Jews entered the industry en masse. In addition to founding many of the today’s largest publishing companies, Jews became so influential throughout the industry that by the 1960s American writers as different as Truman Capote, Jack Kerouac, Katherine Anne Porter, and Mario Puzo began to complain about a “Jewish literary mafia.” In short, a minority group went from almost complete exclusion to full literary enfranchisement in a matter of decades. Josh Lambert, Public Books

Jews of Discretion

Let me start with an expression I made up in Call Me by Your Name. It refers to Jews who live in an entirely gentile world and who, without concealing their Jewishness, are, nevertheless, reluctant to proclaim it. There is, or so they think, no real imperative to proclaim their religion; they may even live in a world where Christians and Jews are quite secular, may even intermarry, and have grown to tolerate each other. You are not ashamed or fearful to be Jewish but you know better than to stand out when it’s not exactly necessary to do so. You may not tell everyone you are Jewish; at best, you allow some to infer it. After at least 2,000 years of antisemitic persecution, your difference is something you learn instinctively not to say too much about. I called these Jews “Jews of discretion.” Not nervous, not even apprehensive—just discreet. Or to use another word, prudent. André Aciman, Tablet

dal discorso fatto dall'autore il 5 novembre scorso all'University of Virginia in occasione della Conference on Jewish Life in the Diaspora: Sephardic Lives

Days of The Jackal

How Andrew Wylie turned serious literature into big business. Andrew Wylie is agent to an extraordinary number of the planet’s biggest authors. His knack for making highbrow writers very rich helped to define a literary era – but is his reign now coming to an end? Alex Blasdel, The Guardian

 

e per continuare a esplorare il lato commerciale della letteratura, da leggere è quest'altro articolo sui premi letterari:  "What 35 Years of Data Can Tell Us about Who Will Win the National Book Award", Alexander Manshel & Melanie Walsh, Public Books

Verdi’s Jewish Opera Grandly Staged at the Metropolitan

Nabucco is widely seen as a political opera. But while Verdi’s nationalist operas have mostly dropped out of the repertory of major venues, Nabucco is still performed widely, in part because it has better music, and also because it is not so much a nationalist opera as a religious one. With the arguable exception of Mozart’s Don Giovanni, Nabucco is the most Jewish of operas, with a deeply sympathetic portrayal of the First Exile. David P. Goldman, Tablet

Baritone George Gagnidze makes his Met role debut as the imperious king Nabucco, alongside soprano Liudmyla Monastyrska reprising her thrilling turn as his vengeful daughter Abigaille. Mezzo-soprano Maria Barakova and tenor SeokJong Baek, in his company debut, are Fenena and Ismaele, whose love transcends politics, and bass Dmitry Belosselskiy repeats his celebrated portrayal of the high priest Zaccaria. Daniele Callegari conducts Verdi’s exhilarating early masterpiece, which features the ultimate showcase for the great Met Chorus, the moving “Va, pensiero.” Al Metropolitan fino al prossimo 26 gennaio.

Lord Jim at Home

Born into privilege somewhere in Cornwall in the 1920s, Giles Trenchard receives a bizarre yet commonplace induction into the upper middle class life of the time. His sense of worth is depleted before he leaves the nursery, by the interlocking efforts of a drunken, bleakly dismissive and mostly absent father and a nanny determined to control his bodily processes. He is expected to struggle towards personal agency but always punished for demonstrating it. He is separated from the mother he adores. He’s forced to eat food he can’t stomach. Nevertheless, he visualises himself as “the Prince”. It’s an emotional miseducation that can be completed only by a public school – in this case Rugby, where, already fragile and floundering, he learns to survive through mediocrity, dissociation and doing as little as possible; while beneath the vague, compliant surface that so irritates his teachers, all the suppressed needs, greeds and ambitions of early childhood still writhe. Inevitably, this contradiction will shape his adult life, which Brooke unrolls across the body of her novel, exactly like one of the fouled nappies the nanny draped across Giles’s face at six months old to teach him right from wrong in the context of bowel movements. John Harrison, The Guardian

ritorna nelle librerie un inquietante libro di culto degli anni '70, Lord Jim at Home, di Dinah Brooke (Daunt Books), da noi mai tradotto, mi pare.