Nabucco is widely seen as a political opera. But while Verdi’s nationalist operas have mostly dropped out of the repertory of major venues, Nabucco is still performed widely, in part because it has better music, and also because it is not so much a nationalist opera as a religious one. With the arguable exception of Mozart’s Don Giovanni, Nabucco is the most Jewish of operas, with a deeply sympathetic portrayal of the First Exile. David P. Goldman, Tablet
Baritone George Gagnidze makes his Met role debut as the imperious king
Nabucco, alongside soprano Liudmyla Monastyrska reprising her thrilling
turn as his vengeful daughter Abigaille. Mezzo-soprano Maria Barakova
and tenor SeokJong Baek, in his company debut, are Fenena and Ismaele,
whose love transcends politics, and bass Dmitry Belosselskiy repeats his
celebrated portrayal of the high priest Zaccaria. Daniele Callegari
conducts Verdi’s exhilarating early masterpiece, which features the
ultimate showcase for the great Met Chorus, the moving “Va, pensiero.” Al Metropolitan fino al prossimo 26 gennaio.
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