I have never been honest with myself. It’s an attribute that has always
disturbed me. I can’t accept even the most basic truths. What I am good
at is coming up with excuses; it’s easy for me to invent excuses. And
Giuseppe Trevisani, wonderful guy, is my favorite excuse of all. Many
years ago, Trevisani, a translator, wrote an ending to a short story
that, when I read it at the age of sixteen, led me to believe that the
evil I felt inside me might actually be the mark of an exceptional
character. Domenico Starnonte, "Tortoiseshell," The New Yorker
I read “Perfection” in a single hypnotized sitting. Time disappeared, as
it does for Anna and Tom. In the following days, I described the book
to myself with words like “flat” and “clinical” and “affectless.” I
thought of it as a “case study” or a “kind of ethnography.” Reading it
again a week later, I had the impression of meeting a beautiful,
well-dressed person for the second time and realizing only then, with
some embarrassment, that they were smart and funny and sensitive.
“Perfection” is dense with ideas, feelings, political insights,
beautiful turns of phrase, unexpected observations about ordinary
occurrences—all the qualities I look for (and appreciate in real time)
when reading fiction but which had, in this case, been obscured by
proper nouns and mimetic precision. This is intentional, of course. Alice Gregory, The New Yorker
il romanzo di Vincenzo Latronico, Perfection è stato pubblicato da Fitzcarraldo Editions e tradotto da

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