“What editors do for writers is mysterious, and does not, contrary to
general belief, have much to do with titles and sentences and ‘changes.’
The relationship between an editor and a writer is much subtler and
deeper than that, at once so elusive and so radical that it seems almost
parental.” Thus spake the venerable Joan Didion in a eulogistic essay
about the late Henry Robbins, her editor first at Farrar, Straus and
Giroux and then at Simon & Schuster. Elroy Rosenberg, Tablet
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