Tatum O’Neal

Amazing as Tatum is in this performance, and iconic and penetrating as the film may be, the blockbuster slips into the same old car chase, between the same old cops and robbers. It’s all about stuntmen doing the fancy driving. And yet, Paper Moon has the face, neck, shoulders, hair, subtle morphing expressions, and very punchy attitude of Tatum O’Neal—and it has therefore held up beautifully. Later in life, Tatum would appear for a few seconds now and then on camera between points up in the stands watching her husband, John McEnroe, play tennis at Wimbledon, and she would leave the same sort of indelible impression—by virtue of her gaze and the mystery of her concentration. Jeremy Sigler, Tablet

Adorabile! L'articolo parla, però, soprattutto di Polly Platt, art director del film di Bogdanovich e anche sua ex moglie.

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