28.11.21

Robot

But an exhibition marking the 700th anniversary of the Italian poet’s death will be showcasing the work of a rather more modern devotee: Ai-Da the robot, which will make history by becoming the first robot to publicly perform poetry written by its AI algorithms.

The ultra-realistic Ai-Da, who was devised in Oxford by Aidan Meller and named after computing pioneer Ada Lovelace, was given the whole of Dante’s epic three-part narrative poem, the Divine Comedy, to read, in JG Nichols’ English translation. She then used her algorithms, drawing on her data bank of words and speech pattern analysis, to produce her own reactive work to Dante’s. Alison Flood, The Guardian

e anche la lunga storia della fascinazione degli umani per le macchine intelligenti:

Robots have histories that extend far back into the past. Artificial servants, autonomous killing machines, surveillance systems, and sex robots all find expression from the human imagination in works and contexts beyond Ovid (43 BCE to 17 CE) and the story of Pygmalion in cultures across Eurasia and North Africa. This long history of our human-machine relationships also reminds us that our aspirations, fears, and fantasies about emergent technologies are not new, even as the circumstances in which they appear differ widely. Situating these objects, and the desires that create them, within deeper and broader contexts of time and space reveals continuities and divergences that, in turn, provide opportunities to critique and question contemporary ideas and desires about robots and artificial intelligence (AI). E.R. Truitt, The MIT Press

21.11.21

Books Do Furnish a Civilization

IN THEIR NEW BOOK, The Library: A Fragile History, a splendid study of the institution of the library from its origins until today, Andrew Pettegree and Arthur der Weduwen recount the initiation, the innovations, and the dissolution of library after library, personal as well as public, scholarly as well as lending, over the centuries. The word “fragile” in their subtitle touches on the unsettled conditions of libraries throughout history. For books have everywhere and at all times been lost, stolen, vandalized, spoiled by neglect, while entire libraries have been abandoned, systematically despoiled, set afire, even deliberately bombed. Joseph Epstein, Commentary

interessanti riflessioni sulle biblioteche, e anche sui classici, con qualche sorprendente scoperta, e altre considerazioni più à la page:

Historically, in America, the true strength of the Classics and of a Classical education has not been among the elite but among the rising middle class. Naomi Kanakia, LA Review of Books

 

14.11.21

University of Austin, una nuova università

Grade inflation. Spiraling costs. Corruption and racial discrimination in admissions. Junk content (“Grievance Studies”) published in risible journals. Above all, the erosion of academic freedom and the ascendancy of an illiberal “successor ideology” known to its critics as wokeism, which manifests itself as career-ending “cancelations” and speaker disinvitations, but less visibly generates a pervasive climate of anxiety and self-censorship. [...] That is why this week I am one of a group of people announcing the founding of a new university — indeed, a new kind of university: the University of Austin. [...] Trigger warnings. Safe spaces. Preferred pronouns. Checked privileges. Microaggressions. Antiracism. All these terms are routinely deployed on campuses throughout the English-speaking world as part of a sustained campaign to impose ideological conformity in the name of diversity. As a result, it often feels as if there is less free speech and free thought in the American university today than in almost any other institution in the U.S. Niall Ferguson, WP

Nel suo lungo e appassionato articolo Niall Ferguson spiega il programma di questa nuova università, un progetto che sembra molto interessante. Auguri!

7.11.21

Tatum O’Neal

Amazing as Tatum is in this performance, and iconic and penetrating as the film may be, the blockbuster slips into the same old car chase, between the same old cops and robbers. It’s all about stuntmen doing the fancy driving. And yet, Paper Moon has the face, neck, shoulders, hair, subtle morphing expressions, and very punchy attitude of Tatum O’Neal—and it has therefore held up beautifully. Later in life, Tatum would appear for a few seconds now and then on camera between points up in the stands watching her husband, John McEnroe, play tennis at Wimbledon, and she would leave the same sort of indelible impression—by virtue of her gaze and the mystery of her concentration. Jeremy Sigler, Tablet

Adorabile! L'articolo parla, però, soprattutto di Polly Platt, art director del film di Bogdanovich e anche sua ex moglie.

Inoltre:

Is Superman Circumcised? favourite to win Oddest book title of the year, Alison Flood, The Guardian