In occasione dell'uscita di una raccolta di saggi di Renata Adler, After the Tall Timber (New York Review Books), Catherine Lacey intervista la scrittrice.
Yes, but it happens faster and you can get lost. There's always something and we can forget who we were supposed to hate last year.
Exactly. What used to be, for me and I think still is, the test of the critic is whether he quotes from the source or not. That's what's fair. I once got a review that said, "She writes so badly that it sets my teeth on edge." And then she quoted stuff. And I thought, Wait a minute. That's the best I can do. If she thinks that's bad, OK. [Laughs] And that's fair. vice.
Yes, but it happens faster and you can get lost. There's always something and we can forget who we were supposed to hate last year.
Exactly. What used to be, for me and I think still is, the test of the critic is whether he quotes from the source or not. That's what's fair. I once got a review that said, "She writes so badly that it sets my teeth on edge." And then she quoted stuff. And I thought, Wait a minute. That's the best I can do. If she thinks that's bad, OK. [Laughs] And that's fair. vice.
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