"Find the Bad Guy" è il titolo del racconto, bello, di Jeffrey Eugenides, uscito la scorsa settimana sul New Yorker. Ancor più bella, direi, è l'intervista all'autore da parte del suo editor, Cressida Leyshon. Eugenides parla del suo modo di scrivere e dice, tra l'altro, "Houses are important in fiction. “Howard’s End” is maybe the best example, but there are lots of others. Nabokov drew the floor plan to the Samsas’s apartment in his lecture on “The Metamorphosis,” and I’ve always kept that lesson in mind. If you picture a house or an apartment when you’re writing, you can see your characters more clearly. You know where they are, and you move them through a defined space. The reader can sense when a writer isn’t sure about these logistics. If you’re unsure about the room your characters are situated in, some of that fuzziness will get transmitted into the scene itself. You need to have specificity around you, even if you don’t mention one item of that specificity". newyorker.