Last week, one of my college friends, who now manages vast sums at a
hedge fund, visited me. He’s the most rational person I know, so I asked
him how he would go about deciding whether to go to grad school in a
discipline like English or comparative literature. He dealt immediately
with the sample bias problem by turning toward statistics. His first
step, he said, would be to ignore the stories of individual grad
students, both good and bad. ... Instead, he said, he would focus on the
“base rates”: that is, on the numbers that give you a broad statistical
picture of outcomes from graduate school in the humanities. What
percentage of graduate students end up with tenure? (About one in four.) How much more unhappy are graduate students than other people? (About fifty-four per cent of graduate students report
feeling so depressed they have “a hard time functioning,” as opposed to
ten per cent of the general population.) To make a rational decision,
he told me, you have to see the big picture, because your experience is
likely to be typical, rather than exceptional. “If you take a broader
view of the profession,” he told me, “it seems like a terrible idea to
go to graduate school.”
... And then there’s the fact that graduate school, no matter how bad an idea it might be in the long term, is almost always fulfilling and worthwhile in the short term. As our conversation continued, my friend was struck by this. “How many people get paid to read what they want to read,” he asked, “and study what they want to study?” He paused. ”If I got into a really good program, I would probably go.” Joshua Rothman, newyorker.
... And then there’s the fact that graduate school, no matter how bad an idea it might be in the long term, is almost always fulfilling and worthwhile in the short term. As our conversation continued, my friend was struck by this. “How many people get paid to read what they want to read,” he asked, “and study what they want to study?” He paused. ”If I got into a really good program, I would probably go.” Joshua Rothman, newyorker.
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