This author [Mo Yan], born in 1955 into a peasant family in northern China, sets a
groaning table of brutal incident, magic realism, woman-worship, nature
description, and far-flung metaphor. The Chinese novel, perhaps, had no
Victorian heyday to teach it decorum; certainly both Su Tong and Mo Yan
are cheerfully free with the physical details that accompany sex,
birth, illness, and violent death.
New Yorker, 9 maggio 2005.
New Yorker, 9 maggio 2005.
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