Lisa Dickler Awano intervista Alice Munro sulla Virginia Quarterly Review.
LDA: It seems as though in your more recent collections, when you use material from your own life, the resulting story is less directly autobiographical than it was in your earlier stories, such as Miles City, Montana, or Walker Brothers Cowboy, or The Ottawa Valley, or Who Do you think You Are . . . .
AM: That's right. Those stories are more nakedly personal. I think this is a matter of age. When youre younger theres a kind of breathlessness about 'I can write about this.' It's very exciting to realize what you can do. You're discovering, along with the reader, what you felt. But I think now I'm writing - not at all in a more guarded way, but just in a way of having seen more, or maybe retreating a little from the personal. There's not been any decision to do this. You never know why you do what you're doing. And you don't know what you're doing until either someone points it out, or you see it yourself.